Scholars disagree on how Ulysses' speech functions in this format it is not necessarily clear to whom Ulysses is speaking, if anyone, and from what location. The poem's seventy lines of blank verse are presented as a dramatic monologue. Observing their burdensome prosodic effect, the poet Matthew Arnold remarked, "these three lines by themselves take up nearly as much time as a whole book of the Iliad." Many of the poem's clauses carry over into the following line these enjambments emphasize Ulysses' restlessness and dissatisfaction. Gleams that untravell'd world, whose margin fadesįor ever and for ever when I move. In the final section, Ulysses turns to his fellow mariners and calls on them to join him on another quest, making no guarantees as to their fate but attempting to conjure their heroic past: While Ulysses thinks that Telemachus will be a good king-"Most blameless is he, centred in the sphere / Of common duties" (39)-he seems to have lost any connection to his son-"He works his work, I mine" (43)-and the conventional methods of governing-"by slow prudence" and "through soft degrees" (36, 37). His son Telemachus will inherit the throne that Ulysses finds burdensome. Ulysses contrasts his present restlessness with his heroic past, and contemplates his old age and eventual death-"Life piled on life / Were all too little, and of one to me / Little remains" (24–26)-and longs for further experience and knowledge. Confronted again by domestic life, Ulysses expresses his lack of contentment, including his indifference toward the "savage race" (line 4) whom he governs. 3.1 Contemporary appraisal and canonizationĪs the poem begins, Ulysses has returned to his kingdom, Ithaca, having made a long journey home after fighting in the Trojan War.They argued, for example, that Ulysses wishes to selfishly abandon his kingdom and family, and they questioned more positive assessments of Ulysses' character by demonstrating how he resembles flawed protagonists in earlier literature. In the twentieth century, some new interpretations of "Ulysses" highlighted potential ironies in the poem. The view that Tennyson intended a heroic character is supported by his statements about the poem, and by the events in his life-the death of his closest friend-that prompted him to write it. In Dante's re-telling, Ulisse is condemned to hell among the false counsellors, both for his pursuit of knowledge beyond human bounds and for creating the deception of the Trojan horse.įor much of this poem's history, readers viewed Ulysses as resolute and heroic, admiring him for his determination "To strive, to seek, to find, and not to yield". Most critics, however, find that Tennyson's Ulysses recalls Dante's Ulisse in his Inferno (c. 800–700 BC), and Tennyson draws on Homer's narrative in the poem. The adventures of Odysseus were first recorded in Homer's Iliad and Odyssey (c. The character of Ulysses (in Greek, Odysseus) has been explored widely in literature. Despite his reunion with his wife Penelope and his son Telemachus, Ulysses yearns to explore again. Facing old age, mythical hero Ulysses describes his discontent and restlessness upon returning to his kingdom, Ithaca, after his far-ranging travels. An oft-quoted poem, it is a popular example of the dramatic monologue. " Ulysses" is a poem in blank verse by the Victorian poet Alfred, Lord Tennyson (1809–1892), written in 1833 and published in 1842 in his well-received second volume of poetry.
Alfred, Lord Tennyson, author of "Ulysses", portrayed by George Frederic Watts